The books range on length from novels (60-130,000 words) to novellas (20-40,000 words). My books do have sex between consenting adults. The novellas are mostly ♥♥♥. Novels are ♥♥♥♥. There is some violence and mild profanity.

♥ ------holding hands, perhaps a gentle kiss
♥♥ ---- more kisses but no tongue-- no foreplay
♥♥♥ ---kissing, tongue, caressing, foreplay & pillow talk
♥♥♥♥ --all of above, full sexual experience including climax
♥♥♥♥♥ -all of above including coarser language and sex more frequent
Showing posts with label illusions. Show all posts
Showing posts with label illusions. Show all posts

Thursday, December 20, 2012

Reflections

Interesting reflections in water require several elements-- some degree of stillness in the water, something above worthy of being reflected, and little or no breeze. They might be found in a puddle, lake, creek, river. Capturing them with a camera is a bit of a challenge helped much by having a polarizing lens.

If your photograph captures that reflection on the perfect day, it can seem as though it's as real as what was above. It's not, of course. It's always a reflection. My favorite ones look like an abstract painting with just enough air or water movement to blur the images.

The subject of reflection is a worthy one for a writer to consider and that will follow some recent photos of reflections taken at Catalina State Park.


 Life itself is about reflecting and discerning the real from the illusion. Plato claimed everything we experience is a reflection or shadow and wrote a philosophical argument to defend his opinion.

Writing fiction is always about the reflection. It's what a writer looks for-- finding what is real and capturing a reflection in words. No matter how realistic the words might sound, they are always reflections of life. Some are closer to what might seem real and have the reader thinking they read a slice of real life but they are always reflections. That is their challenge and their beauty.

An example of how reflections play out in fiction will use the events in Benghazi when four men were killed by a terrorist assault, one of them our US ambassador.

Non-fiction will try to reveal exactly what happened-- a perfect reflection. Since it's done by humans, that is not possible; and in that case, even more so because not all events are totally known except by those there (some of whom died).

Fiction can decide to take what happened there, use the events but create fictional characters to set within it. Now the story still appears realistic, but it's a fuzzier reflection of what actually happened.

Finally you get into romance, sci fi, detective, apocalyptic etc. You take that event, the facts you know, but you use them somewhere else totally and in the case of a romance, you put a hero or heroine into the situation and before it's over make the ending work as you wish the real one had.

The thing is a lot of people consider 'serious' literature to be more accurately reflecting life. Perhaps... or perhaps it's a reflection of something totally away from the real object and suiting an author's agenda.

When writing or reading, it's all something to consider-- what reflection was that writer aiming to create and why.


 Photo above cropped a bit and flipped to show that abstract painting in the water which the photo captured. I had thought of moving the log for the photo but opted to leave its interesting shape and contrasting color.

But because I could, I used my photo tools to take that log out, crop the image down a bit and remove some grasses with the wonders of Photoshop creating even more of a feel of an impressionistic painting-- this one in water. My version of Corel Photo-paint is an old one, but I know how to use it and it is a lot of fun to play with images to add or take away-- which also happens to be what creative writing is about.



Saturday, December 24, 2011

From Here to There


To me, the best romances are about more than a romantic relationship but are laid into a story bigger, one that is about life itself. 'From Here to There’ is such a story set into several mythologies, the perfection of another person, of a place, and of histories that might or might not be true.

Helene Lamont, from a tony Boston family, is being married in a lavish Boston wedding when she realizes, no matter what the cost, she's not willing to live a life such as her parents have done. She has seen a better example of what marriage can be like in that of her deceased aunt and rancher uncle. She tells her brand new husband of her decision between the wedding service and the reception.

Multimillionaire, Phillip Drummond is in shock at the idea his trophy wife has turned into an albatross to ruin his carefully built reputation as a business wunderkind. He had the perfect wife to perfect his image right up until she is about to make a fool of him. Helene’s decision throws him back into memories of his growing up in a world, nothing like hers, that he has tried to hide.

When Helene’s Montana rancher uncle, Amos, visits Phillip with an offer to come west to his ranch where Helene will be living for awhile, Phillip at first sees him as out of his mind. What does he know about ranching? He'd be a total dude. No thanks. Still it irks him that his own toughness was not recognized by Helene. Will he also head West despite knowing it is pure foolishness?

Set mostly in Montana, it depicts the life real ranchers live today with its costs and rewards. This book is a love story of two couples, one out of the past through a journal, but also love of the mythology of the West, ranch life, and a region I have personally come to care for very much. From Here to There is about our illusions. It is also about a truth that life is led in the moments between here and there.

It is now available through Kindle at the following link-- From Here to There -- for purchase or borrowing as part of Amazon Prime.

For more of my thinking on this story, click on the button alongside here, Romance with an Edge, where I wrote further thoughts on the story and what is behind it as I see it.